After losing her job Cecilia goes to see the film in hopes of raising her spirits. He tells Cecilia that he is attracted to her after noticing her watching him so many times, and she takes him around her New Jersey town. He recognizes that this is why he loves the movies so much, as both an escape and a means of control, while at the same time admitting the danger of living in this fantasy world of the movies. Seventeen years after Rosemary’s Baby (1968), The Purple Rose of Cairo was Farrow’s fourth film with Woody Allen, cementing herself as the new Diane Keaton in Woody’s on/off-screen romance. used to provoke thought, rather than control it, manipulate it, or deceive it. It's the height of the Depression and life is pretty grim but luckily Cecilia has an escape. Inspired by Sherlock Jr., Hellzapoppin', and Pirandello's Six Characters in Search of an Author, it is the tale of a film character named Tom Baxter who leaves a fictional film of the same name and enters the real world. Tom Baxter is a dashing young archaeologist in the film "The Purple Rose of Cairo." The Purple Rose of Cairo features an impressive display of period visuals, recreating the bleak look and feel of the Depression-era ’30s. Examples Of Reality And Fantasy On The Purple Rose Of Cairo 847 Words | 4 Pages. Cecilia pushed him until he got the strength to return to where he belonged. With the audience in shock, and the rest of the screen characters appalled at having been left high and dry, Tom and Cecilia strike up a fantastical romance between movie character and real-life woman. Science, English, History, Civics, Art, Business, Law, Geography, all free!

With Dianne Wiest, Danny Aiello, Van Johnson, Milo O’Shea, Edward Herrmann. Tom Baxter is a dashing young archaeologist in the film "The Purple Rose of Cairo." As a smile slowly builds across her face, her real world melts away, leaving only the fantasy that exists on screen.

| Tom gives the strength to Cecilia by convincing her that she is unhappy and that she should leave her husband. After losing her job, Cecilia goes to see 'The Purple Rose of Cairo' in hopes of raising her spirits, where she watches … Tom is brought back for a "madcap Manhattan weekend" where he falls head-over-heels for Kitty Haynes (Karen Akers), a chanteuse at the Copacabana.

Instead, she rambles on about movies stars: who they date, what they star in, and why she absolutely loves every flick she mentions.

In conclusion, Tom’s ideals and naïve way of life are what Cecilia believes as reality and true feelings.