Viele andere Bands verdanken ihre Existenz in den Medien zu Caifanes: Santa Sabina , La Castañeda , Los Amantes de Lola  [ es ] , Maldita Vecindad , La Cuca , La Lupita , die Ska - Band Sekta Kern!

Caifanes collaborated in the de-sanitization of rock—its condition was one of marginalization and veiled in a conservative Mexico of the 1980s. Die Platte wurde von Oscar Lopez produziert, unterstützt von Gustavo Santaolalla und Daniel Freiberg. In 1994, Caifanes were at the height of their popularity.

It was extremely out of the ordinary for a Mexican band at the time to wear makeup, dress in black, and have disheveled hair. In late 1989, Caifanes began to record their second album in New York City. Caifanes is the self-titled debut studio album by Mexican rock band Caifanes. The Caifanes 2019 Tour is a concert tour to promote their 2019 single Heridos. Hamm's first solo album, Radio Free Albemuth, inspired by the Philip K. Dick novel of the same name, was released in 1988. Without the distractions of Romo's lively and fluid bass playing or Herrera's atmospheric keyboards, Marcovich's staccato guitar work, Alfonso's polyrythmic drumming, and Hernandez's brooding and haunting vocal style became even more prominent.

to be one of the most influential records of the Rock En Español genre. Saul offered moral support to Fobia and helped them sign with BMG Ariola). The band now included former Insolitas guitarist Alejandro Marcovich. Kurz vor ihrer Trennung wurde es der letzte große Hit der Band und ihr Musikvideo unter der Regie von Carlos Marcovich (Alejandros Bruder, der auch Regie führte) "Afuera") erzählt die Geschichte der spanischen Eroberung Mexikos und des Aztekenreiches in nur einem Schuss.

1993 verkaufte Caifanes als erste mexikanische Rockgruppe den Palacio de los Deportes (Sportpalast) in Mexiko-Stadt . It was released in 1988 after the success of their first singles, "Mátenme porque me muero" and "La bestia humana".

[5] The band's intention was that the release of the single would be the starting point of what could be the recording of their fifth studio album. El Silencio wurde in Wisconsin aufgenommen und von Adrian Belew von King Crimson produziert.

El diablito (The Little Devil) was released in July 1990 through BMG Records. .

Insólitas developed a strong cult following in Mexico City. Dezember 1986 und dem 3. Die Band hatte die Absicht, dass die Veröffentlichung der Single der Ausgangspunkt für die Aufnahme ihres fünften Studioalbums sein würde. 1984 spielte Hamm auf dem ersten Solo-Album "Flex-Able" von Vai, später mit Frank Gambale, Richie Kotzen und anderen bekannten Gitarristen. Truetone Music. It was released in 1988 after the success of their first singles, "Mátenme porque me muero" and "La bestia humana". Caifanes 'erste Live-Show war der 11. Die Samen der späteren Caifanes wurden 1984 mit Las Insolitas Imágenes de Aurora (Die ungewöhnlichen Bilder von Aurora) gepflanzt , einer Band, zu der Saúl Hernández , Alfonso André und Alejandro Marcovich gehörten. The name Caifanes is derived from 1940s Mexican pachuco (zoot suiter) slang "Cae fine". Ohne die Ablenkung von Romos lebhaftem und flüssigem Bassspiel oder Herreras atmosphärischen Keyboards, Marcovichs Stakkato-Gitarrenarbeit, Alfonsos polyrythmischem Trommeln und Hernandez 'brütendem und eindringlichem Gesangsstil wurden noch deutlicher. 1995 endete Caifanes.

Members of Caifanes have cited The Cure and King Crimson as major influences, with Adrian Belew having produced their third studio album, El Silencio, as well as making a guest appearance on it. The relationship between Hernández and Marcovich was strained. By this time, Caifanes along with Maná, Fobia, Maldita Vecindad, La Lupita, Cafe Tacuba and Los Amantes de Lola, helped to move Mexican Rock toward a wider audience and catapulted the Rock En Español movement of the 1990s.

1994 eröffneten Caifanes für den oben Rolling Stone in Mexiko - Stadt und nahm an Peter Gabriel ‚s WOMAD - Festival. Die Original - Besetzung bestand aus Saúl Hernández (Gesang & Gitarre), Alejandro Marcovich  [ es ] (Lead - Gitarre) Sabo Romo (Bass - Gitarre), Alfonso André  [ es ] (Schlagzeug) und Diego Herrera (Keyboards und Saxophon). Skip to Content Open Menu Close Menu. The song was a massive hit in Mexico and introduced Caifanes to a wider audience nationally and abroad. Zu Hernández gesellte sich der ehemalige Schlagzeuger von Caifanes und Insolitas, Alfonso André. Oscar fell in love with the band and took them to the studio to record a demo. In 1992, Caifanes released El Silencio (The Silence). “Afuera” ("Outside"), the first single, fused rock grooves with an ethnic-inspired guitar solo. Hamm lebt mit seiner Frau und Tochter in San Francisco. In December 1988 Caifanes released a cover of Cuban folk singer Guillermo Rodriguez Fiffe's classic cumbia (tropical dance song), “La Negra Tomasa,” (The Black Woman Tomasa) as a Maxi single. A legal scuffle over the name “Caifanes” ensued, forcing Saúl Hernández to choose the name Jaguares (Jaguars) for his new project, which was not a radical departure from the Caifanes sound. Formed in 1987, the group achieved international fame during the late 1980s and early 1990s. Maná und El Tri hatten bereits Aufzeichnungen veröffentlicht, um den Anstieg der Medienunterstützung zu nutzen. The first single “Mátenme Porque Me Muero” ("Kill Me Because I'm Dying") became a minor hit in Mexico City. Lopez would be instrumental in their signing to RCA-Ariola and would go on to produce their first two albums. Stuart Hamm (born February 8, 1960) is an American bass guitar player,[1][2] known for his session and live work with numerous artists as well for his unconventional playing style and solo recordings. Caifanes along with Mana was one of Mexico's premier stadium rock acts, selling out stadiums in Mexico and large venues throughout Latin America and the United States. Caifanes ist eine Rock-en-Español- Band aus Mexiko-Stadt .

[es], Víctimas del Doctor Cerebro [es], Botellita de Jerez, and many more. [ es ] , Víctimas del Doctor Cerebro  [ es ] , Botellita de Jerez und viele mehr. By late 1987 Caifanes had carved a niche for themselves as a dark contrast to the corporate pop/rock and light ballads that dominated Mexican radio and television during the 1980s. In 1993 Caifanes became the first Mexican rock group to sell out Mexico City's Palacio de los Deportes (Sports Palace). All of these bands have commented on the support of Caifanes for their careers.