Be sure to follow Raising Whasians via Facebook, Twitter, Instagram, Pinterest and YouTube for more reviews, giveaways and more. And then when it gets on screen, on camera, depending on how they fit it or how they treat the film after, it completely changes. How lucky you are to meet her. And hey, now I’ll lay off the corsets . So this is a difficult question, but I’ll try to answer it. You'll get the latest updates on this topic in your browser notifications. Learn how your comment data is processed. It’s always really good to see how people [in different places] dress and the combinations of things they put together. So keep your options open, is what I would say. Powell's background is in the theater; she dropped out of her London art school to stage shows with Lindsay Kemp, the mime and choreographer who worked with David Bowie on his Ziggy Stardust character. Five television categories will be added to the 2021 Film Independent Spirit Awards, which traditionally honor the best in independent cinema. And then the cage. So in doing so you hope that the audience goes away with really strong feelings of who all those characters are. Your glass shoe’s heel is very high, particularly compared to many of the early versions of the slipper, which has sometimes been depicted more as a ballet flat. The costume design for the godmother in Disney’s live-action feature “Cinderella.”, The costume design for Cate Blanchett, who portrays the stepmother in Disney’s live-action feature “Cinderella.”, The costume design for the stepsisters in Disney’s live-action “Cinderella.”, The costume design for Cate Blanchett, who portrays the stepmother in “Cinderella.”, Sandy Powell has two nominations for costume design at this year’s Oscars -- for “Cinderella” and for “Carol.”, Cate Blanchett as the stepmother presents herself at the ball in “Cinderella.”, The stepsisters: Sophie McShera as Drisella, left, and Holliday Grainger as Anastasia in “Cinderella.”. "There's something about rich people wearing light colors that denotes luxury and sophistication," says British costumer Sandy Powell. It was like a tail coat but where the tail’s a little bit more exaggerated. I have a much more, instinctive feel about – or intuitive reaction. But it came out exactly how I hoped. And especially in something like CINDERELLA. The glass shoe had a 51/2 inch heel. You have to, because there’s not enough time or money to actually keep changing it. And we had all the fabric that needed to go on top of it. And we didn’t have the luxury of that. SP: That is really difficult because you think you have some and you just keep changing your mind and think, “Oh, there’s also that one, and that one, and that one!” For me, though, costumes don’t really stand out on their own. SP: My favorite changes all the time, because quite often your favorite is the film that you have the best time making. So it was actually all clothes. I mean, I loved doing The Wolf of Wall Street, but then to actually do Cinderella – the complete antithesis of The Wolf of Wall Street, which is a very testosterone-fueled film about those kinds of characters – was sort of a breath of fresh air…to do something the complete opposite of [The Wolf of Wall Street] where the main characters were women, and I knew I was going to be making costumes for a film with [primarily] female characters and, I would say, an audience that is also mostly female. The whole point of costume design is that you’re creating characters and telling a story, and they all have to work together.